I compose movement that derives from thoughts, senses and fantasies.
Focusing on the research of motion and the possible enrichment of dance language, I propose the body as the main mean of expression and communication. The “pure” movement and its elaboration consists of a way of thinking and a method of observation, before any intention of narrative or plot, while it abstractly approaches the concept of collectivity (achievement or disintegration) and its possible manifestations within a choreographic structure.
During our chaotic era which is oriented towards information and not empathy, I dedicate myself investing in the power of the body and the knowledge it carries, reconstructing the versatility of movement and exploring its new possible horizons.